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movie description:
Guy and his sister grow together with some orphans on a deserted little island. While his mother checked the children from the lighthouse at each step, the father in the cellar after mysterious scientific experiments. A pair of parents, the children from this Orphanage has adopted, enigmatic head injuries found on the little ones. Then they send children to the island detective who reveal the secret to the strange happenings are. Grim truths come to light.
exuberantly imaginative work of art in the style of expressionistic horror films, which supported the Canadian Guy Maddin's special position in the film industry.
"A memory in 12 chapters called Maddin the autobiographical-influenced avant-garde film, the personal memories transformed into a bizarre spectacle of expressionistic silent film aesthetic and youth detective film, but is also similar to a Grand Guignol theater session. Black and white, sometimes tinted images, ominous shadows, heading and mind the perfect musical accompaniment reminiscent of the silent film era. Short sections of color, diverse sound effects, the lively off-narrative and a rapid assembly on the other hand create a modern pace, creating an intoxicating hysteria very own universe: Maddin at the height of his art.
As the Canadian director except his hermetic memory landscapes straight to the brain on fire knows no comparisons - E. Elias Merhige, at best, or the Brothers Quay-like shapes choose. The protagonist - Guy Maddin (Sullivan Brown) - returns to his isolated island home Black Notch, who rules over a lighthouse. Here he gives himself Chains through memory from his childhood he spent with his sister and many orphans under the care of obscure parents.
Big Mother is watching you: constantly observed by an ugly over mother, who is of this as a draconian dictator as a scary figure of Norman Bates youth to determine dark secrets and painful hormone storm of first love that Freudian, surreal dreamland. The father, present only in rear views simmering in his laboratory at ominous inventions around - is the topos of the Mad Scientist just one of many genre motifs. Mysterious neck scars in the children awaken the distrust of outsiders, the two young undercover detectives to investigate the Send Island, which gives at Guy and his sister first feelings. Maddin's typical penchant for oblique, Bizarre, abnormal beats by more than ever because he packed his morbidly funny ideas eventful densely narrated and visually on top of that charging with poetry and eroticism. A full program for filmmakers who want to discover from the shackles of linear narrative cinema dissolved. tk.
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