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movie description:
The German art collector Wilhelm Uhde, who is considered the discoverer of Picasso and Rousseau, runs from the hectic life in Paris back in the unassuming town of Senlis. There he is on the strange housekeeper Séraphine Louis and soon discovered her artistic talent. Uhde is fascinated by her unconventional, unpretentious style of painting and begins to promote. Thus he is helping the most ridiculed simple woman a little more awareness. Today she is recognized as one of the most important members of the naive painting.
The great Cesar Abräumer stands the impressive portrait of the French maid and painter Seraphine Louis, a key representative of naive art. Like so many French
Séraphine Louis was not a term for director Martin Provost, who collected first data to enter into the mysterious world of the artist. A movie material par excellence, because this is not the linear rise of a talent, but about the tragic career of a man in his inconsistency, and its very hard to reach the world, no life as a series of strong Moments, but a series of superficial trivialities of everyday life and puzzles to a person who does not fit the image of the visionary artist. This Séraphine Louis was a visionary for whom the painting was as important as eating and drinking. Introduced
she is a housekeeper of the German art collector Wilhelm Uhde (Ulrich Tukur), who draws 1912 in the French town of Senlis, to far away from the hurly-burly to devote himself to writing. The idiosyncratic Séraphine washes and cooks for him and other families. Every spare minute she spends time painting, stolen from blood at the butcher and liquid wax from the church at night she stirred her colors at. Uhde provides as one of her paintings, it promotes their work and makes the woman laughed at by the neighbors hope for a great career. The Discovery of Picasso and Henri Rousseau is planning an exhibition in the city on the Seine and enjoy the financial Séraphine caring mentor. Their escape in the mental illness and the First World War, Uhde forced to leave France, hope to finish a continuation of her work.
fasting and with a certain restraint observed Provost, as the self-taught to her remaining time as a madman uses and displays them as one of mystical powers as ambivalent personality-driven and Uhde, despite the integrity and moral strength failed human. He works with a relatively static camera and long takes, it is one of the silence, not the dialogue. Warm colors dominate only in Séraphine images, with equipment and costume prevail cool color like blue front, black and green, not white. The pivotal point of contact with biopics is born in Brussels, Yolande Moreau (César for Best Actress and nominations for the European Film Award) in its bulkiness and stoic silence. A woman at the bottom of the social ladder, which was ahead in the art of its time. mk.
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