Film: The Cabinet of Dr. Parnassus - watch for free! 
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movie description: Doctor Parnassus, several thousand years old, traveled the world with its Imaginarium to the people demonstrate their dreams and fantasies. But Parnassus with a dark secret: his immortality, he owes a pact with the devil, Mr. Nick. Later persuaded a love Parnassus the devil to transform the market: Now he wants to be young again in order to win his love. But he promises that his First-born on his 16th Birthday in the possession of Mr. Nick goes. When they arrive, demanding Parnassus' daughter Valentina, he embarks on another pact.
A worthy monument and wild: Terry Gilliam does his star Heath Ledger in his very last role to shine in a freak show, their completion by the use of Johnny Depp, Jew Law and Colin Farrell was possible.
Terry Gilliam, Monty Python original, and since the eighties, one of the most imaginative filmmaker with his own distinctive vision, head wind is used in its projects. Books can fill up on his fights with studios, budgets, and the forces of nature. "Brazil" was botched from the studio and was saved only through support of film criticism, "Munchausen" was a runaway disaster, "The Man Who Killed Don Quixote" had to be canceled, "Brothers Grimm" in violation of the protagonist and devastating storms proved to be continuous battle with the Weinstein brothers and consumed so much of the nerve Gilliam that he had to get rid of his darkest and most bitter film, "Tideland," by the traumatic experience.
"The Imaginarium of Doctor Parnassus" was originally conceived as a new beginning, a very pure Gilliam film with elements from "Time Bandits," "Brazil," "Munchausen" and "The Fisher King" one of those morbid free flights of fantasy, romance and dream themes, such as outside it, at best, can accomplish even Tim Burton - and turned out to be his date's worst nightmare, as in January 2008, the midst of filming his star Heath Ledger, who already Gilliam had "Brothers Grimm" is played, and died the project was long in the balance. Without wishing to sound cynical in the face of tragedy do: to be pursued by bad luck, may prove a godsend. The worse the conditions, the more creativity is kindled Gilliam. And here he surpasses himself, supported by Johnny Depp, Jew Law and Colin Farrell, which ranged in need a helping hand was the director save his film, thanks to a daring Handlungskniffs: Three times increases the main character Tony, who is the driving force of the Doctor saved Parnassus with a rope around his neck from a London bridge suspended, due to his memory loss the jugglers followed by a mirror on the stage every time he appeared on the other side as one of the other actors in a new grotesque universe, the "Alice in Wonderland" would prepare all the glory. The effect is astonishing, the illusion, partly because it managed to get Depp, Law and Farrell look extremely similar to the other because there was obviously enough material has been shot with Ledger for to make history in our world actually works. Only minor ascertaining numerical Holper can be, but they fit into the overall total of homogeneous image of this wild film, which cares for a second order reality and logic, but intense with his paintings immediately captures.
To a Faustian Pact is between the thousand-year-old Parnassus and Mr. Nick said the devil, Tom Waits, plays as if he were one of his staggering songs from the "Rain Dogs" album to eternal life and the saving of Parnassus daughter Valentina, of supermodel Lily Cole as close relatives of the figure of Sarah Polley in "Munchausen" below: In order not to their 16th Birthday to the fervent to lose Nick, has to win the miracle magician five souls, who engage in its alternative world beyond the mirror. It's a race against time with Tony as the Joker, and Gilliam is designed as mercilessly exaggerated Freak Show, with the usual oblique camera angles, distorted images to the viewer at times literally tear away the ground under their feet. No matter how monstrous the film with its obsession with decay, dirt and transience is, he is always fascinating, partly because of the charismatic and sometimes god-pathetic-looking Ledger, but also because it has become such a bitter, sad and constantly desperate ballad, as would eternal Don Quixote of the cinema itself slowly as tired as it is with infinite sadness by Christopher Plummer plays hero long ago. Perhaps we need also only a deal with the bodily man, to the Imaginarium of Doctor Gilliam long to keep alive. ts.
The cellist Pablo (Pau) Casals during his concert at the White House, 13 November 1961 
